| Title | Emily's OZ |
| Agency | Goodby Silverstein & Partners |
| Campaign | Emily's OZ |
| Advertiser | Comcast/Xfinity |
| Brand | Comcast/Xfinity |
| Date of First Broadcast/Publication | 2015 / 6 |
| Business Sector | Advertising & Communication |
| Media Type | Case Study |
| Length | |
| AI Description | The ad "Emily's OZ" produced by Comcast/Xfinity and the agency Goodby Silverstein & Partners in 2015, centers around Emily, a young girl who has been blind since birth. It explores her imaginative vision of "The Wizard of Oz" when she experiences it through her unique perception. As Emily narrates her description of the Emerald City, and how she visualizes characters like the Tin Man, these elements are brought to life on screen in vivid, fantastical scenes. The project evolved into a full multimedia installation and was showcased as a TV commercial featured during the Oscars. The ad highlighted Comcast's technology in enhancing accessibility for those with disabilities, offering video descriptions to ensure everyone can engage with entertainment. Featuring heartwarming visuals of Emily interacting joyfully, the ad emphasizes inclusion and shows that entertainment has a universal impact. The commercial was a creative effort that successfully highlighted accessibility technology and remained a heartfelt tribute to a child's imaginative potential, ending with a note on the legacy of disability-friendly innovations being preserved at the Smithsonian. |
| Strategist | Sherri Davis |
| Chairman | Jeff Goodby |
| Chairman | Rich Silverstein |
| Executive Creative Director | Paul Caiozzo |
| Creative Director | Nathan Frank |
| Art Director | Michael Hagos |
| Art Director | Peter Jostrand |
| Copywriter | Josh Chua |
| Copywriter | Sam Dolphin |
| Production Designer | Philip Cheaney |
| Managing Director | Nancy Reyes |
| Account Manager | Laura McWhorter |
| Assistant Account Manager | Nate Baker |
| Brand Strategy Director | Conner Huber |
| Strategy Director | Jared Grant |
| Strategist | Jane Jun |
| Business Affairs Manager | Judy Ybarra |
| Broadcast Producer | Tod Puckett |
| Broadcast Producer | James Horner |
| Broadcast Producer | Tess Kenner |
| Production Assistant | Charlotte Dugoni |
| Production Company | Biscuit Filmworks |
| Director | Andreas Nilsson |
| Director of Photography (DOP) | Matty Libatique |
| Production Designer | KK Barrett |
| Managing Director | Shawn Lacy |
| Executive Producer | Colleen O'donnell |
| Line Producer | Emily Skinner |
| Editing Company | Rock Paper Scissors |
| Editor | Paul Watts |
| Assistant Editor | Christian Oreste |
| Assistant Editor | Rhys Hecox |
| Executive Producer | Eve Kornblum |
| Production Company Producer | Jenny Greenfield |
| Production Company Producer | Jen Milano |
| VFX Company | A52 |
| Flame Artist | Stefan Gaillot |
| CG Supervisor | Kirk Shintani |
| 2D Artist | Stefan Gaillot |
| 2D Artist | Matt Sousa |
| 2D Artist | Andy Bate |
| 2D Artist | Enid Dalkoff |
| 2D Artist | Steve Wolf |
| 2D Artist | Tiffany Germann |
| 3D Artist | Jose Limon |
| 3D Artist | Joe Paniagua |
| 3D Artist | Jon Balcome |
| 3D Artist | Christian Sanchez |
| 3D Artist | Adam Carter |
| 3D Artist | Paulo Mauro |
| 3D Artist | Vivian Su |
| Production Company Producer | Scott Boyajan |
| Executive Producer | Patrick Nugent |
| Executive Producer | Jennifer Sofio Hall |
| Telecine | Company 3 |
| Colorist | Tim Masick |
| Colorist | Rob Sciarratta |
| Executive Producer | Angela Lupo |
| Color Producer | Rochelle Brown |
| Mix Company | Heard City |
| Sound Engineer | Keith Reynaud |
| Sound Engineer | Jeremy Siegel |
| Managing Director | Gloria Pitagorsky |
| Producer | Sasha Awn |
| Sound Design Company | Jafbox Sound |
| Graphics | Elevel Post |
| Animation/3D | Jessica Gibson |
| Executive Producer | PJ Koll |
| Production Company Producer | Samantha Liss |